| P |
| P |
Pacato |
Calm; quiet. |
| Partita |
Another word for suite |
| Passion |
The 4 accounts of the suffering
and death of Christ (from the Gospel) |
| Pastorale |
A musical expression of a genre
familiar in European literature from Hellenistic times or earlier; suggesting a
rural idyll |
| Pausa |
A rest. |
| Pavan |
A stately duple metre dance of
the 16th and early 17th centuries. |
| Pensieroso |
Contemplative; thoughtful. |
| Pesante |
Heavy. |
| Petite |
Little. |
| Peu a peu |
Little by little. |
| Pianissimo |
Very soft. |
| Pianississimo |
Very, very soft; the softest
common dynamic marking. |
| Pitch |
The pitch of a note is the
frequency of its vibrations. |
| Piu |
More; e.g. piu mosso - more
motion. |
| Pizzicato |
Pinched; plucking the strings of
an instrument. |
| Plainchant |
The traditional monodic chant of
the Catholic and Eastern Christian liturgies. |
| Poco |
Little; e.g. poco accel., poco a
poco - little by little. |
| Poi |
Then or afterwards |
| Polacca |
In the Polish manner |
| Polka |
A Bohemian dance |
| Polonaise |
A Polish dance in triple
metre |
| Polyphony |
The writing of music in many
parts or in more than one part |
| Postlude |
"Play after;" the final piece in
a multi-movement work; organ piece played at the end of a church service. |
| Prelude |
"Play before;" an introductory
movement or piece. |
| Premiere |
First performance. |
| Prestissimo |
Very, very fast; the fastest
tempo. |
| Presto |
Very quick. |
| Primo |
First. |
| Principal |
Instrumental section leader. |
| Prologue |
An introductory piece that
presents the background for an opera. |
| Psalm |
From the Book of Psalms in the
Bible, sung to Plainchant. |
| Q |
| Q |
Quadrille |
A popular ballroom dance in a
brisk duple metre. |
| Quartet |
A piece for four performers. |
| Quintet |
A piece for five performers. |
| Quodlibet |
A quodlibet is a light-hearted
composition generally containing a combination of well known tunes. |
| R |
| R |
Rallentando |
Gradually slower; synonymous with
ritardando. |
| Range |
The gamut of pitches, from low to
high, which a singer may perform. |
| Rapide |
Rapidly. |
| Refrain |
A short section of repeated
material which occurs at the end of each stanza. |
| Renaissance |
The period 1450 - 1600. |
| Requiem |
Mass for the Dead |
| Resonance |
Reinforcement and intensification
of sound by vibrations. |
| Rhapsody |
A work free in form and
inspiration, often an expression of national temperament |
| Rigaudon |
A French folk-dance |
| Rinforzando |
A reinforced accent. |
| Risoluto |
Resolute. |
| Ritardando |
Gradually slower; synonymous with
rallentando. |
| Ritenuto |
Immediate reduction in
tempo. |
| Ritmico |
Rhythmically. |
| Ritornello |
A recurrent phrase or
passage |
| Rococo |
A light decorative French
style |
| Romanticism |
Most commonly, a period or the
predominant features of that period, from the early 19th century until the
early 20th. |
| Rondo |
The use of a recurrent theme
between a series of varied episodes, often used for the rapid final movement of
a classical concerto or symphony. |
| Round |
Like the canon, a song in which
two or more parts having the same melody, starting at different points; the
parts may be repeated as desired. |
| Rubato |
A direction to allow a player a
measure of freedom in performance. |
| Ruhig |
Quiet. |
| Rustico |
Pastoral; rustic; rural. |
| S |
| S |
Saltarello |
A rapid Italian dance in triple
metre |
| Sanft |
Soft; gentle. |
| Sarabande |
A slow dance in triple metre,
generally found in the baroque instrumental suite. |
| Scale |
A succession of tones. The scale
generally used in Western music is the diatonic scale, consisting of whole and
half steps in a specific order. |
| Scherzo |
A light-hearted movement found
from the early 17th century. |
| Schnell |
Fast. |
| Score |
The written depiction of all the
parts of a musical ensemble with the parts stacked vertically and rhythmically
aligned. |
| Secco |
"Dry;" unornamented. |
| Section |
A division of a musical
composition. |
| Segno |
Sign |
| Sequidilla |
A fairly quick triple-metre
Spanish dance. |
| Sehr |
Very. |
| Sehr leise beginnend |
Very soft in the beginning. |
| Semi |
Opera-Dramatic works of the later
17th century that combined spoken drama with a significant element of
music |
| Semitone |
A half step; the smallest
interval on the keyboard. |
| Sempre |
Always; e.g. sempre
staccato. |
| Semplice |
Simple. |
| Senza |
Without; e.g. senza
crescendo. |
| Septet |
A piece for seven
performers. |
| Serenade |
A piece for evening performance;
suggests a piece of music in honour of someone or something. |
| Sereno |
Serene; peaceful. |
| Sforzando |
Sudden strong accent on a note or
chord. |
| Sharp |
A symbol which raises the pitch
of a note one-half step. |
| Siciliana |
A Sicilian shepherd dance or
song |
| Simile |
An indication to continue in the
same manner. |
| Sin' |
Until. |
| Sinifonia |
A passage or piece of
instrumental music, sometimes an introductory piece, leading later to the
Italian overture, known as the sinfonia before the opera, the origin of the
Italian symphony. |
| Sinfonia Concertante |
A concerto that uses two or more
solo instruments. |
| Singspiel |
A stage work that makes some use
of spoken dialogue, even in a context of primarily musical interest. |
| Sinistra |
Left hand. |
| Sino |
Until. |
| Smorzando |
Fading away. |
| Soave |
Sweet; mild. |
| Sognando |
Dreamily. |
| Solo |
To perform alone or as the
predominant part. |
| Sonata |
Originally designated music that
was to be played rather than sung. |
| Sonatina |
A short sonata. |
| Sostenuto |
Sustaining of tone or slackening
of tempo; play smoothly. |
| Spiccato |
On string instruments, a bowing
technique wherein the bow is bounced on the string at moderate speed. |
| Staccato |
Detached sounds, indicated by a
dot over or under a note; the opposite of legato. |
| Stanza |
A selection of a song, two or
more lines long, characterized by a common meter, rhyme, and number of
lines. |
| Stesso |
Same. |
| Stretto |
The device by which a second
voice enters with the subject overlapping a first voice, rather than starting
after the completion of the subject by the first voice; also a faster
speed. |
| Subito |
Suddenly. |
| Suite |
An instrumental piece consisting
of several shorter pieces. |
| Sul |
On the. |
| Sur |
On; over. |
| Svelto |
Quick; light. |
| Symphony |
A piece for large orchestra,
usually in four movements, in which the first movement often is in sonata form.
A large orchestra. |
| Syncopation |
Accent on an unexpected
beat. |
| T |
| T |
Tafelmusik |
Music used to accompany banquets.
|
| Tanto |
Much; so much. |
| Tarantella |
A folk- dance from the Southern
Italian town of Taranto. |
| Te Deum |
A canticle sung in thanksgiving
and forming a part of the Divine Office, where it appears after Matins on
Sundays and major feast days. |
| Tempo |
The speed at which a piece of
music is played. |
| Tempo primo |
Return to the original tempo.
|
| Teneramente |
Tenderly. |
| Tenuto |
Hold or sustain a note longer
than the indicated value; usually not as long a duration as the fermata. |
| Ternary form |
A tripartite musical structure;
three part song form, in which the third part is an exact or modified
repetition of the first. |
| Terraced dynamics |
The Baroque style of using sudden
changes in dynamic levels, as opposed to gradual increase and decrease in
volume. |
| Theme |
A complete tune or melody which
is of fundamental importance in a piece of music. |
| Theory |
The study of how music is put
together. |
| Toccata |
An instrumental piece, often
designed to display the technical proficiency of a performer. |
| Tonality |
The term used to describe the
organization of the melodic and harmonic elements to give a feeling of a key
center or a tonic pitch. |
| Tone |
A note; the basis of music. |
| Tosto |
Quick. |
| Tranquillo |
Tranquilly; quietly; calm. |
| Tremolo |
The quick repetition of a note,
particularly in string-playing. |
| Troppo |
Too much; e.g. allegro non troppo
- not too fast. |
| Troubadour |
Court poets and composers of
Southern France in the 12th and 13th centuries. |
| Tutti |
All; a direction for the entire
ensemble to sing or play simultaneously. |
| U |
| U |
Una corda |
Soft pedal. |
| Unison |
Singing or playing the same notes
by all singers or players, either at exactly the same pitch or in a different
octave. |
| Un peu |
A little; e.g. un peu piano.
|
| Un poco |
A little. |
| Upbeat |
One or more notes occurring
before the first bar line, as necessitated by the text for the purpose of
desirable accent; the unaccented beat of a measure. |
| V |
| V |
Variation |
The manipulation of a theme by
the use of melodic, rhythmic, and harmonic changes. |
| Verismo |
Realism |
| Vespers |
The evening service of the Divine
Office |
| Vibrato |
Repeated fluctuation of pitch.
|
| Virtuoso |
A brilliant, skillful performer.
|
| Vivace |
Lively; brisk; quick; bright.
|
| Vivo |
Lively; bright. |
| Vocalise |
A vocal work, whether an exercise
or not, that has no words. |
| Volti subito |
Turn [the page] quickly. |
| W |
| W |
Waltz |
A dance in triple time, became
the most popular of all ball - room dances in the 19th century |
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