| A |
| A |
Absolute |
Absolute music. Music which is
inspired by itself rather than extramusical implications such as the stories
legends of "program" music. |
| A Cappella |
Without accompaniment. |
| Accelerando |
Gradually faster; a term in
general use to show that the music should be played at an increasing speed.
|
| Adagio |
Slowly; slower than andante,
faster than largo; a musical composition in adagio tempo; a difficult ballet
duet or trio. Adagietto is a little faster than adagio. |
| Adagietto |
Slow, but a little faster than
Adagio. |
| Addolorato |
Sorrowfully. |
| Ad libitum |
A term which permits the
performer to vary the tempo and/or to include or omit a vocal or instrumental
part. |
| Affrettando |
Hurrying. |
| Agilmente |
Lively. |
| Agitato |
In a restless and agitated
manner. |
| Air |
(aria) The chief voice part or
melody in choral music. |
| Aleatory |
Improvisation or random in
character. |
| Allargando |
Gradual slowing of tempo, with
increasing volume; most frequently occurs toward the end of a piece. |
| Allegretto |
Fast, but not as fast as Allegro.
|
| Allegro |
Fast, though not as fast as
vivace or presto. |
| Allemande |
A German dance in 4/4 time, often
the 1st dance in a baroque dance suite. |
| Andante |
A moderate tempo or tempo at a
walking pace. |
| Andantino |
Can be a little faster or slower
than Andante, usually meant to be a little faster. |
| Animato |
With animation |
| Anthem |
A short vocal composition. |
| Appassionato |
With passion |
| Arabesque |
A short decorative piano piece.
|
| Arpeggio |
Describing notes in a chord
played individually (one after another) as opposed to simultaneously. |
| Arrangement |
An adaption of a composition.
|
| Atonality |
Lacking a tonal center; not in a
specific key and therefore has no specific 'home' note or chord. The word
atonality refers technically to various forms of 20th century music not in a
key. |
| B |
| B |
Badiniere |
A piece of music with a
light-hearted character. |
| Barcarolle |
A boating-song, generally used to
describe the boating songs of gondoliers in Venice, imitated by composers in
songs and instrumental pieces |
| Baroque |
The period of musical history
from 1600 - 1750. |
| Berceuse |
A berceuse is a cradle-song or
lullaby, in lilting triple or compound time. |
| Bourree |
A French dance from the 17th
century in brisk duple time starting with a pickup; a musical composition with
the rhythm of this dance. |
| C |
| C |
Cadence |
A cadence usually consists of two
chords that provide musical punctuation at the end of phrases or sentences.
|
| Cadenza |
A solo passage, either written by
the composer or improvised by the performer, preceding the capitulation of the
piece. |
| Camminando |
Following easily and gently.
|
| Canon |
Two or more parts that have the
same melody but start at different points. |
| Cantabile |
At a walking speed and in singing
style. |
| Cantata |
Baroque sacred or secular choral
composition of some length, containing solos, duets, and choruses, with or
without orchestral or keyboard accompaniment. |
| Caprice/Capriccio |
A fugal composition; dances or
dance suites or any composition that allows a relatively free play of fancy.
|
| Carol |
A song of praise and celebration,
usually for Christmas. |
| Cassation |
describes a piece of music akin
to a divertimento or serenade, music intended primarily for entertainment.
|
| Chamber music |
Music for a small ensemble of
instruments, intended for performance in a room or chamber, as opposed to a
church or larger building. |
| Chanson |
A French song; originally, songs
from troubadour compositions of the Middle ages. |
| Chorale |
Hymn-like song, characterized by
blocked chords. |
| Chord |
A combination of three or more
tones sounded simultaneously. |
| Classical |
Music composed primarily during
the period 1770 - 1825. |
| Coda |
The closing section of a
composition; an added ending. |
| Coloratura |
Used to describe vocal music that
is extensively ornamented and calls for ability in a very high register. |
| Composer |
A person who creates (composes)
music. |
| Con brio |
With spirit; vigorously. |
| Con calore |
With warmth. |
| Concert |
A public performance of music.
|
| Concertante |
A concertante is a part that
calls for some element of solo performance, as in a classical concerto. |
| Concertino |
A short concerto; the small group
of solo instruments used in a concerto grosso |
| Concert master |
The first chair violinist in an
orchestra. |
| Concerto |
A piece of instrumental music
that contrasts a solo instrument or a small group of solo instruments with the
main body of the orchestra. |
| Con intensita |
With intensity. |
| Con moto |
With motion. |
| Consort |
Indicates a group of like
instruments; the music written for it. |
| Con spirito |
With spirit. |
| Countermelody |
A vocal part which contrasts with
the principal melody. |
| Courante |
A triple-time dance movement
found frequently in the baroque dance suite; generally follows the
allemande |
| Crescendo |
Gradually rising in volume. |
| D |
| D |
Decrescendo |
Gradually lower in volume;
synonymous with diminuendo. |
| Delicato |
Delicately. |
| Diminuendo |
Gradually lower in volume;
synonymous with decrescendo. |
| Dirge |
A very slow piece that is usually
performed at a funeral or memorial service. |
| Divertimento |
A divertimento is an instrumental
composition intended for entertainment, usually in a number of movements. |
| Divertissement |
Indicates the additional dance
entertainment that is often a part of classical ballet. |
| Divisi |
An indication of divided musical
parts. |
| Dolce |
Sweetly; dolcissimo is very
sweetly. |
| Doloroso |
Sadly; mournfully. |
| Down beat |
The first beat; given by the
conductor with a downward stroke. |
| Dynamics |
Varying degrees of loud and
soft. |
| E |
| E |
Elegy |
A lament, either vocal or
instrumental. |
| Encore |
To repeat a piece or play an
additional piece at the end of a performance. |
| Entr'acte |
The music between acts of an
opera or play. |
| Espressivo |
Expressively. |
| Esuberante |
Exuberant. |
| Etude |
Originally a study, intended for
the technical practice of the player. Later, elevated the into a significant
piece of music, no mere exercise. |
| Exposition |
The first section of the
movement, in which the principal thematic material is announced; in a fugue,
the voices or parts enter one by one with the same subject: the exposition ends
when all the voices have entered. |
| F |
| F |
Fanfare |
A prelude or opening; a flourish;
usually played by brass instruments. |
| Fermata |
Hold; pause . |
| Festivo, festoso |
Festive; merry. |
| Finale |
The last movement of a symphony
or sonata; the last selection of an opera. |
| Fine |
The end. |
| (La) Follia |
A well known dance tune popular
from the 16th century or earlier and found in the work of composers. |
| Forte |
Loud |
| Fortissimo |
Very loud |
| Fugue |
A musical composition in which
one or 2 themes are repeated or imitated by successively entering
voices/instruments and developed in a continuous interweaving of the
parts. |
| Full score |
An instrumental score in which
all the parts for the instruments appear on their own staves in standard
instrumental family order. |
| G |
| G |
Galliard |
A courtly dance of the late 16th
and early 17th century often found in instrumental compositions of the period,
sometimes in suites. |
| Gigue |
The gigue became the accepted
final dance in the baroque instrumental suite. |
| Giocoso |
Playful. |
| Giubilante |
Exultant; jubilant. |
| Glissando |
Used to describe sliding in music
from one note to another. |
| Grandioso |
Grandiose; majestic. |
| Grand pause |
A rest for the entire
ensemble. |
| Grave |
Slow; solemn. |
| Grazia |
Grace; Con grazia - with
grace. |
| Grazioso |
Graceful. |
| Gregorian Chant |
The modal chant of early
Christian and continuing Catholic worship and its derivatives |
| Grosso |
Great; large. |
| H |
| H |
Habanera |
A Cuban dance from Havana, later
introduced to Spain. |
| Harmony |
The sounding of two or more tones
simultaneously; the vertical aspect of music. |
| Hymn |
A song of praise |
| I |
| I |
Impressionism |
A musical movement of the late
19th and early 20th centuries. Inspired by the French impressionist painters,
the movement had its impetus in the music of Debussy and Ravel. |
| Sorry, we don't have any J K |
| L |
| L |
Lacrimoso |
Tearful; mournful. |
| Lament |
Dirge; a slow mornful piece. |
| Lamento |
Mournful; sad. |
| Landler |
The Ländler is an
Austrian country dance in a slow triple metre, a precursor of the waltz. |
| Langsam |
Slow. |
| Largamente |
Broadly. |
| Larghetto |
Slower than largo. |
| Largo |
Very slow. |
| Legato |
Smooth; connected. |
| Leggiero |
Light; graceful. |
| Lento |
Slow; slightly faster than largo,
slower than adagio. |
| Liberamento |
Freely. |
| Lied |
Indicates songs in the great
German tradition of song-writing. |
| Linear |
Melodic; horizontal lines. |
| L'istesso tempo |
An instruction to the player to
return to the previous speed of the music. |
| Loure |
A French dance of the 17th and
18th centuries; it has been described as a slow gigue. |
| M |
| M |
Madrigal |
Originally a form of vocal
composition of 14th century Italy; a favourite form of part-song, stemming
first from Italy. |
| Maestoso |
Suggests a majestic manner of
performance, either in mood or speed. |
| Magnificat |
The Magnificat is the canticle
drawn from the biblical words attributed to the Mother of Christ |
| Malaguena |
A Spanish dance from the region
of Málaga; later used to indicate a form of Spanish gypsy song. |
| Mancando |
Fading away |
| Marcato |
Emphasized; heavily
accented. |
| Mazurka |
A Polish dance, transformed by
Chopin in some fifty piano pieces in this form. |
| Measure |
A group of beats containing a
primary accent and one or more secondary accents, indicated by the placement of
bar lines on the staff; the space between two bar lines. |
| Medesimo |
The same. |
| Medieval |
The period prior to the
Renaissance, c. 500 - 1450, marking the music of the early Christian
church. |
| Melodie |
The French art- songs of the 19th
and 20th centuries are known as mélodies |
| Melody |
In general, a succession of
musical tones. It represents the linear or horizontal aspect of music. |
| Meno |
Less. |
| Meno mosso |
Less motion. |
| Mesto |
Sad |
| Mezzo |
Half; medium |
| Mezzo forte |
Medium loud. |
| Mezzo piano |
Medium soft. |
| Middle Ages |
European historical period
between roughly A.D. 500 and 1450. |
| Minuet |
A triple metre French dance
popular from the second half of the 17th until at least the end of the 18th
century. |
| Missa |
Originally the Catholic Mass or
Eucharist; later came to be used on occasion for settings that included only
the first two parts of the ordinary of the Mass, the Kyrie and the Gloria. |
| Misterioso |
Mysteriously. |
| Mit |
With |
| Moderato |
Moderate speed. |
| Modern |
Music written in the 20th
century; contempory music. |
| Molto |
Very; used with other terms, e.g.
molto allegro. |
| Morendo |
Gradually decreasing in volume;
fading away. |
| Mosso |
Rapid; meno mosso - less rapid;
piu mosso - more rapid. |
| Motive |
A short melodic or rhythmic
pattern. |
| Motet |
A choral composition for a
church, without necessarily using text from the liturgy. |
| Motif |
A group of notes that has a
recognisable thematic character |
| Moto |
Motion; con moto - with
motion. |
| Movement |
A section of a larger piece that
usually is in itself a complete work. |
| Mute |
Usually an attachment used to
dampen the sound of an instrument. |
| N |
| N |
Nach |
After (as "in the manner of");
behind. |
| Nachtmusik |
Night music; a serenade. |
| Neoclassic |
A musical style from the 20th
century indicating the return to styles from earlier periods (e.g. romantic,
baroque). |
| Nocturne |
A night-piece; music that evokes
a nocturnal mood. |
| Nonet |
A composition for nine
performers |
| Non troppo |
Not too much; used with other
terms (e.g. non troppo allegro - not too fast) |
| Note |
The symbol which, when placed on
a staff with a particular clef sign, indicates pitch. |
| Nuance |
Subtle variations in tempo,
phrasing, dynamics, etc., to enhance a musical performance. |
| O |
| O |
Obbligato |
Indicates an additional
instrumental part that cannot be omitted. |
| Octave |
The eighth tone above a given
pitch, with twice as many vibrations per second, or below a given pitch, with
half as many vibrations. |
| Octet |
A piece for eight instruments or
voices. |
| Opera Bouffe/Buffe |
A comic operetta |
| Opera Seria |
A serious opera governed by
strict rules as to subject and structure. |
| Operetta |
A light opera. |
| Opus/Op |
Meaning work, is used by composers
to show the chronological order of their works; however is not necessarily
accurate. |
| Oratorio |
A work in which religious texts
often with a narrative content are set for performance by singers and
instruments. |
| Orchestra |
A large group of musicians made
up of string, brass, woodwind, and percussion instruments. |
| Orchestration |
The art of writing, arranging, or
scoring for the orchestra. |
| Ornaments |
Melodic embellishments, either
written or improvised. |
| Ossia |
"Or." Indicating an alternative
passage or version. |
| Ostinato |
A part that repeats the same
rhythm or melodic element. |
| Ottava |
Octave. |
| Ottava alta |
An octave higher. |
| Ottave bassa |
An octave lower. |
| Overtones |
The almost inaudible higher tones
which occur with the fundamental tone. They are the result of the vibration of
small sections of a string (instrument) or a column of air. Other general terms
for overtones are partials and harmonics. |
| Overture |
An introductory piece, often
designed to initiate an opera or other dramatic work. |